Script of Act II Two Gentlemen of Verona
The play by William Shakespeare
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Script / Text of Act II Two Gentlemen of Verona
SCENE I. Milan. The DUKE's palace.
Enter VALENTINE and SPEED
Sir, your glove.
Not mine; my gloves are on.
Why, then, this may be yours, for this is but one.
Ha! let me see: ay, give it me, it's mine:
Sweet ornament that decks a thing divine!
Ah, Silvia, Silvia!
Madam Silvia! Madam Silvia!
How now, sirrah?
She is not within hearing, sir.
Why, sir, who bade you call her?
Your worship, sir; or else I mistook.
Well, you'll still be too forward.
And yet I was last chidden for being too slow.
Go to, sir: tell me, do you know Madam Silvia?
She that your worship loves?
Why, how know you that I am in love?
Marry, by these special marks: first, you have
learned, like Sir Proteus, to wreathe your arms,
like a malecontent; to relish a love-song, like a
robin-redbreast; to walk alone, like one that had
the pestilence; to sigh, like a school-boy that had
lost his A B C; to weep, like a young wench that had
buried her grandam; to fast, like one that takes
diet; to watch like one that fears robbing; to
speak puling, like a beggar at Hallowmas. You were
wont, when you laughed, to crow like a cock; when you
walked, to walk like one of the lions; when you
fasted, it was presently after dinner; when you
looked sadly, it was for want of money: and now you
are metamorphosed with a mistress, that, when I look
on you, I can hardly think you my master.
Are all these things perceived in me?
They are all perceived without ye.
Without me? they cannot.
Without you? nay, that's certain, for, without you
were so simple, none else would: but you are so
without these follies, that these follies are within
you and shine through you like the water in an
urinal, that not an eye that sees you but is a
physician to comment on your malady.
But tell me, dost thou know my lady Silvia?
She that you gaze on so as she sits at supper?
Hast thou observed that? even she, I mean.
Why, sir, I know her not.
Dost thou know her by my gazing on her, and yet
knowest her not?
Is she not hard-favoured, sir?
Not so fair, boy, as well-favoured.
Sir, I know that well enough.
What dost thou know?
That she is not so fair as, of you, well-favoured.
I mean that her beauty is exquisite, but her favour infinite.
That's because the one is painted and the other out
of all count.
How painted? and how out of count?
Marry, sir, so painted, to make her fair, that no
man counts of her beauty.
How esteemest thou me? I account of her beauty.
You never saw her since she was deformed.
How long hath she been deformed?
Ever since you loved her.
I have loved her ever since I saw her; and still I
see her beautiful.
If you love her, you cannot see her.
Because Love is blind. O, that you had mine eyes;
or your own eyes had the lights they were wont to
have when you chid at Sir Proteus for going
What should I see then?
Your own present folly and her passing deformity:
for he, being in love, could not see to garter his
hose, and you, being in love, cannot see to put on your hose.
Belike, boy, then, you are in love; for last
morning you could not see to wipe my shoes.
True, sir; I was in love with my bed: I thank you,
you swinged me for my love, which makes me the
bolder to chide you for yours.
In conclusion, I stand affected to her.
I would you were set, so your affection would cease.
Last night she enjoined me to write some lines to
one she loves.
And have you?
Are they not lamely writ?
No, boy, but as well as I can do them. Peace!
here she comes.
[Aside] O excellent motion! O exceeding puppet!
Now will he interpret to her.
Madam and mistress, a thousand good-morrows.
[Aside] O, give ye good even! here's a million of manners.
Sir Valentine and servant, to you two thousand.
[Aside] He should give her interest and she gives it him.
As you enjoin'd me, I have writ your letter
Unto the secret nameless friend of yours;
Which I was much unwilling to proceed in
But for my duty to your ladyship.
I thank you gentle servant: 'tis very clerkly done.
Now trust me, madam, it came hardly off;
For being ignorant to whom it goes
I writ at random, very doubtfully.
Perchance you think too much of so much pains?
No, madam; so it stead you, I will write
Please you command, a thousand times as much; And yet--
A pretty period! Well, I guess the sequel;
And yet I will not name it; and yet I care not;
And yet take this again; and yet I thank you,
Meaning henceforth to trouble you no more.
[Aside] And yet you will; and yet another 'yet.'
What means your ladyship? do you not like it?
Yes, yes; the lines are very quaintly writ;
But since unwillingly, take them again.
Nay, take them.
Madam, they are for you.
Ay, ay: you writ them, sir, at my request;
But I will none of them; they are for you;
I would have had them writ more movingly.
Please you, I'll write your ladyship another.
And when it's writ, for my sake read it over,
And if it please you, so; if not, why, so.
If it please me, madam, what then?
Why, if it please you, take it for your labour:
And so, good morrow, servant.
O jest unseen, inscrutable, invisible,
As a nose on a man's face, or a weathercock on a steeple!
My master sues to her, and she hath
taught her suitor,
He being her pupil, to become her tutor.
O excellent device! was there ever heard a better,
That my master, being scribe, to himself should write
How now, sir? what are you reasoning with yourself?
Nay, I was rhyming: 'tis you that have the reason.
To do what?
To be a spokesman for Madam Silvia.
To yourself: why, she wooes you by a figure.
By a letter, I should say.
Why, she hath not writ to me?
What need she, when she hath made you write to
yourself? Why, do you not perceive the jest?
No, believe me.
No believing you, indeed, sir. But did you perceive
She gave me none, except an angry word.
Why, she hath given you a letter.
That's the letter I writ to her friend.
And that letter hath she delivered, and there an end.
I would it were no worse.
I'll warrant you, 'tis as well:
For often have you writ to her, and she, in modesty,
Or else for want of idle time, could not again reply;
Or fearing else some messenger that might her mind discover,
Herself hath taught her love himself to write unto her lover.
All this I speak in print, for in print I found it.
Why muse you, sir? 'tis dinner-time.
I have dined.
Ay, but hearken, sir; though the chameleon Love can
feed on the air, I am one that am nourished by my
victuals, and would fain have meat. O, be not like
your mistress; be moved, be moved.
SCENE II. Verona. JULIA'S house.
Enter PROTEUS and JULIA
Have patience, gentle Julia.
I must, where is no remedy.
When possibly I can, I will return.
If you turn not, you will return the sooner.
Keep this remembrance for thy Julia's sake.
Giving a ring
Why then, we'll make exchange; here, take you this.
And seal the bargain with a holy kiss.
Here is my hand for my true constancy;
And when that hour o'erslips me in the day
Wherein I sigh not, Julia, for thy sake,
The next ensuing hour some foul mischance
Torment me for my love's forgetfulness!
My father stays my coming; answer not;
The tide is now: nay, not thy tide of tears;
That tide will stay me longer than I should.
What, gone without a word?
Ay, so true love should do: it cannot speak;
For truth hath better deeds than words to grace it.
Sir Proteus, you are stay'd for.
Go; I come, I come.
Alas! this parting strikes poor lovers dumb.
SCENE III. The same. A street.
Enter LAUNCE, leading a dog
Nay, 'twill be this hour ere I have done weeping;
all the kind of the Launces have this very fault. I
have received my proportion, like the prodigious
son, and am going with Sir Proteus to the Imperial's
court. I think Crab, my dog, be the sourest-natured
dog that lives: my mother weeping, my father
wailing, my sister crying, our maid howling, our cat
wringing her hands, and all our house in a great
perplexity, yet did not this cruel-hearted cur shed
one tear: he is a stone, a very pebble stone, and
has no more pity in him than a dog: a Jew would have
wept to have seen our parting; why, my grandam,
having no eyes, look you, wept herself blind at my
parting. Nay, I'll show you the manner of it. This
shoe is my father: no, this left shoe is my father:
no, no, this left shoe is my mother: nay, that
cannot be so neither: yes, it is so, it is so, it
hath the worser sole. This shoe, with the hole in
it, is my mother, and this my father; a vengeance
on't! there 'tis: now, sit, this staff is my
sister, for, look you, she is as white as a lily and
as small as a wand: this hat is Nan, our maid: I
am the dog: no, the dog is himself, and I am the
dog--Oh! the dog is me, and I am myself; ay, so,
so. Now come I to my father; Father, your blessing:
now should not the shoe speak a word for weeping:
now should I kiss my father; well, he weeps on. Now
come I to my mother: O, that she could speak now
like a wood woman! Well, I kiss her; why, there
'tis; here's my mother's breath up and down. Now
come I to my sister; mark the moan she makes. Now
the dog all this while sheds not a tear nor speaks a
word; but see how I lay the dust with my tears.
Launce, away, away, aboard! thy master is shipped
and thou art to post after with oars. What's the
matter? why weepest thou, man? Away, ass! You'll
lose the tide, if you tarry any longer.
It is no matter if the tied were lost; for it is the
unkindest tied that ever any man tied.
What's the unkindest tide?
Why, he that's tied here, Crab, my dog.
Tut, man, I mean thou'lt lose the flood, and, in
losing the flood, lose thy voyage, and, in losing
thy voyage, lose thy master, and, in losing thy
master, lose thy service, and, in losing thy
service,--Why dost thou stop my mouth?
For fear thou shouldst lose thy tongue.
Where should I lose my tongue?
In thy tale.
In thy tail!
Lose the tide, and the voyage, and the master, and
the service, and the tied! Why, man, if the river
were dry, I am able to fill it with my tears; if the
wind were down, I could drive the boat with my sighs.
Come, come away, man; I was sent to call thee.
Sir, call me what thou darest.
Wilt thou go?
Well, I will go.
SCENE IV. Milan. The DUKE's palace.
Enter SILVIA, VALENTINE, THURIO, and SPEED
Master, Sir Thurio frowns on you.
Ay, boy, it's for love.
Not of you.
Of my mistress, then.
'Twere good you knocked him.
Servant, you are sad.
Indeed, madam, I seem so.
Seem you that you are not?
Haply I do.
So do counterfeits.
So do you.
What seem I that I am not?
What instance of the contrary?
And how quote you my folly?
I quote it in your jerkin.
My jerkin is a doublet.
Well, then, I'll double your folly.
What, angry, Sir Thurio! do you change colour?
Give him leave, madam; he is a kind of chameleon.
That hath more mind to feed on your blood than live
in your air.
You have said, sir.
Ay, sir, and done too, for this time.
I know it well, sir; you always end ere you begin.
A fine volley of words, gentlemen, and quickly shot off.
'Tis indeed, madam; we thank the giver.
Who is that, servant?
Yourself, sweet lady; for you gave the fire. Sir
Thurio borrows his wit from your ladyship's looks,
and spends what he borrows kindly in your company.
Sir, if you spend word for word with me, I shall
make your wit bankrupt.
I know it well, sir; you have an exchequer of words,
and, I think, no other treasure to give your
followers, for it appears by their bare liveries,
that they live by your bare words.
No more, gentlemen, no more:--here comes my father.
Now, daughter Silvia, you are hard beset.
Sir Valentine, your father's in good health:
What say you to a letter from your friends
Of much good news?
My lord, I will be thankful.
To any happy messenger from thence.
Know ye Don Antonio, your countryman?
Ay, my good lord, I know the gentleman
To be of worth and worthy estimation
And not without desert so well reputed.
Hath he not a son?
Ay, my good lord; a son that well deserves
The honour and regard of such a father.
You know him well?
I know him as myself; for from our infancy
We have conversed and spent our hours together:
And though myself have been an idle truant,
Omitting the sweet benefit of time
To clothe mine age with angel-like perfection,
Yet hath Sir Proteus, for that's his name,
Made use and fair advantage of his days;
His years but young, but his experience old;
His head unmellow'd, but his judgment ripe;
And, in a word, for far behind his worth
Comes all the praises that I now bestow,
He is complete in feature and in mind
With all good grace to grace a gentleman.
Beshrew me, sir, but if he make this good,
He is as worthy for an empress' love
As meet to be an emperor's counsellor.
Well, sir, this gentleman is come to me,
With commendation from great potentates;
And here he means to spend his time awhile:
I think 'tis no unwelcome news to you.
Should I have wish'd a thing, it had been he.
Welcome him then according to his worth.
Silvia, I speak to you, and you, Sir Thurio;
For Valentine, I need not cite him to it:
I will send him hither to you presently.
This is the gentleman I told your ladyship
Had come along with me, but that his mistress
Did hold his eyes lock'd in her crystal looks.
Belike that now she hath enfranchised them
Upon some other pawn for fealty.
Nay, sure, I think she holds them prisoners still.
Nay, then he should be blind; and, being blind
How could he see his way to seek out you?
Why, lady, Love hath twenty pair of eyes.
They say that Love hath not an eye at all.
To see such lovers, Thurio, as yourself:
Upon a homely object Love can wink.
Have done, have done; here comes the gentleman.
Welcome, dear Proteus! Mistress, I beseech you,
Confirm his welcome with some special favour.
His worth is warrant for his welcome hither,
If this be he you oft have wish'd to hear from.
Mistress, it is: sweet lady, entertain him
To be my fellow-servant to your ladyship.
Too low a mistress for so high a servant.
Not so, sweet lady: but too mean a servant
To have a look of such a worthy mistress.
Leave off discourse of disability:
Sweet lady, entertain him for your servant.
My duty will I boast of; nothing else.
And duty never yet did want his meed:
Servant, you are welcome to a worthless mistress.
I'll die on him that says so but yourself.
That you are welcome?
That you are worthless.
Madam, my lord your father would speak with you.
I wait upon his pleasure. Come, Sir Thurio,
Go with me. Once more, new servant, welcome:
I'll leave you to confer of home affairs;
When you have done, we look to hear from you.
We'll both attend upon your ladyship.
Exeunt SILVIA and THURIO
Now, tell me, how do all from whence you came?
Your friends are well and have them much commended.
And how do yours?
I left them all in health.
How does your lady? and how thrives your love?
My tales of love were wont to weary you;
I know you joy not in a love discourse.
Ay, Proteus, but that life is alter'd now:
I have done penance for contemning Love,
Whose high imperious thoughts have punish'd me
With bitter fasts, with penitential groans,
With nightly tears and daily heart-sore sighs;
For in revenge of my contempt of love,
Love hath chased sleep from my enthralled eyes
And made them watchers of mine own heart's sorrow.
O gentle Proteus, Love's a mighty lord,
And hath so humbled me, as, I confess,
There is no woe to his correction,
Nor to his service no such joy on earth.
Now no discourse, except it be of love;
Now can I break my fast, dine, sup and sleep,
Upon the very naked name of love.
Enough; I read your fortune in your eye.
Was this the idol that you worship so?
Even she; and is she not a heavenly saint?
No; but she is an earthly paragon.
Call her divine.
I will not flatter her.
O, flatter me; for love delights in praises.
When I was sick, you gave me bitter pills,
And I must minister the like to you.
Then speak the truth by her; if not divine,
Yet let her be a principality,
Sovereign to all the creatures on the earth.
Except my mistress.
Sweet, except not any;
Except thou wilt except against my love.
Have I not reason to prefer mine own?
And I will help thee to prefer her too:
She shall be dignified with this high honour--
To bear my lady's train, lest the base earth
Should from her vesture chance to steal a kiss
And, of so great a favour growing proud,
Disdain to root the summer-swelling flower
And make rough winter everlastingly.
Why, Valentine, what braggardism is this?
Pardon me, Proteus: all I can is nothing
To her whose worth makes other worthies nothing;
She is alone.
Then let her alone.
Not for the world: why, man, she is mine own,
And I as rich in having such a jewel
As twenty seas, if all their sand were pearl,
The water nectar and the rocks pure gold.
Forgive me that I do not dream on thee,
Because thou see'st me dote upon my love.
My foolish rival, that her father likes
Only for his possessions are so huge,
Is gone with her along, and I must after,
For love, thou know'st, is full of jealousy.
But she loves you?
Ay, and we are betroth'd: nay, more, our,
With all the cunning manner of our flight,
Determined of; how I must climb her window,
The ladder made of cords, and all the means
Plotted and 'greed on for my happiness.
Good Proteus, go with me to my chamber,
In these affairs to aid me with thy counsel.
Go on before; I shall inquire you forth:
I must unto the road, to disembark
Some necessaries that I needs must use,
And then I'll presently attend you.
Will you make haste?
Even as one heat another heat expels,
Or as one nail by strength drives out another,
So the remembrance of my former love
Is by a newer object quite forgotten.
Is it mine, or Valentine's praise,
Her true perfection, or my false transgression,
That makes me reasonless to reason thus?
She is fair; and so is Julia that I love--
That I did love, for now my love is thaw'd;
Which, like a waxen image, 'gainst a fire,
Bears no impression of the thing it was.
Methinks my zeal to Valentine is cold,
And that I love him not as I was wont.
O, but I love his lady too too much,
And that's the reason I love him so little.
How shall I dote on her with more advice,
That thus without advice begin to love her!
'Tis but her picture I have yet beheld,
And that hath dazzled my reason's light;
But when I look on her perfections,
There is no reason but I shall be blind.
If I can cheque my erring love, I will;
If not, to compass her I'll use my skill.
SCENE V. The same. A street.
Enter SPEED and LAUNCE severally
Launce! by mine honesty, welcome to Milan!
Forswear not thyself, sweet youth, for I am not
welcome. I reckon this always, that a man is never
undone till he be hanged, nor never welcome to a
place till some certain shot be paid and the hostess
Come on, you madcap, I'll to the alehouse with you
presently; where, for one shot of five pence, thou
shalt have five thousand welcomes. But, sirrah, how
did thy master part with Madam Julia?
Marry, after they closed in earnest, they parted very
fairly in jest.
But shall she marry him?
How then? shall he marry her?
What, are they broken?
No, they are both as whole as a fish.
Why, then, how stands the matter with them?
Marry, thus: when it stands well with him, it
stands well with her.
What an ass art thou! I understand thee not.
What a block art thou, that thou canst not! My
staff understands me.
What thou sayest?
Ay, and what I do too: look thee, I'll but lean,
and my staff understands me.
It stands under thee, indeed.
Why, stand-under and under-stand is all one.
But tell me true, will't be a match?
Ask my dog: if he say ay, it will! if he say no,
it will; if he shake his tail and say nothing, it will.
The conclusion is then that it will.
Thou shalt never get such a secret from me but by a parable.
'Tis well that I get it so. But, Launce, how sayest
thou, that my master is become a notable lover?
I never knew him otherwise.
A notable lubber, as thou reportest him to be.
Why, thou whoreson ass, thou mistakest me.
Why, fool, I meant not thee; I meant thy master.
I tell thee, my master is become a hot lover.
Why, I tell thee, I care not though he burn himself
in love. If thou wilt, go with me to the alehouse;
if not, thou art an Hebrew, a Jew, and not worth the
name of a Christian.
Because thou hast not so much charity in thee as to
go to the ale with a Christian. Wilt thou go?
At thy service.
SCENE VI. The same. The DUKE'S palace.
To leave my Julia, shall I be forsworn;
To love fair Silvia, shall I be forsworn;
To wrong my friend, I shall be much forsworn;
And even that power which gave me first my oath
Provokes me to this threefold perjury;
Love bade me swear and Love bids me forswear.
O sweet-suggesting Love, if thou hast sinned,
Teach me, thy tempted subject, to excuse it!
At first I did adore a twinkling star,
But now I worship a celestial sun.
Unheedful vows may heedfully be broken,
And he wants wit that wants resolved will
To learn his wit to exchange the bad for better.
Fie, fie, unreverend tongue! to call her bad,
Whose sovereignty so oft thou hast preferr'd
With twenty thousand soul-confirming oaths.
I cannot leave to love, and yet I do;
But there I leave to love where I should love.
Julia I lose and Valentine I lose:
If I keep them, I needs must lose myself;
If I lose them, thus find I by their loss
For Valentine myself, for Julia Silvia.
I to myself am dearer than a friend,
For love is still most precious in itself;
And Silvia--witness Heaven, that made her fair!--
Shows Julia but a swarthy Ethiope.
I will forget that Julia is alive,
Remembering that my love to her is dead;
And Valentine I'll hold an enemy,
Aiming at Silvia as a sweeter friend.
I cannot now prove constant to myself,
Without some treachery used to Valentine.
This night he meaneth with a corded ladder
To climb celestial Silvia's chamber-window,
Myself in counsel, his competitor.
Now presently I'll give her father notice
Of their disguising and pretended flight;
Who, all enraged, will banish Valentine;
For Thurio, he intends, shall wed his daughter;
But, Valentine being gone, I'll quickly cross
By some sly trick blunt Thurio's dull proceeding.
Love, lend me wings to make my purpose swift,
As thou hast lent me wit to plot this drift!
SCENE VII. Verona. JULIA'S house.
Enter JULIA and LUCETTA
Counsel, Lucetta; gentle girl, assist me;
And even in kind love I do conjure thee,
Who art the table wherein all my thoughts
Are visibly character'd and engraved,
To lesson me and tell me some good mean
How, with my honour, I may undertake
A journey to my loving Proteus.
Alas, the way is wearisome and long!
A true-devoted pilgrim is not weary
To measure kingdoms with his feeble steps;
Much less shall she that hath Love's wings to fly,
And when the flight is made to one so dear,
Of such divine perfection, as Sir Proteus.
Better forbear till Proteus make return.
O, know'st thou not his looks are my soul's food?
Pity the dearth that I have pined in,
By longing for that food so long a time.
Didst thou but know the inly touch of love,
Thou wouldst as soon go kindle fire with snow
As seek to quench the fire of love with words.
I do not seek to quench your love's hot fire,
But qualify the fire's extreme rage,
Lest it should burn above the bounds of reason.
The more thou damm'st it up, the more it burns.
The current that with gentle murmur glides,
Thou know'st, being stopp'd, impatiently doth rage;
But when his fair course is not hindered,
He makes sweet music with the enamell'ed stones,
Giving a gentle kiss to every sedge
He overtaketh in his pilgrimage,
And so by many winding nooks he strays
With willing sport to the wild ocean.
Then let me go and hinder not my course
I'll be as patient as a gentle stream
And make a pastime of each weary step,
Till the last step have brought me to my love;
And there I'll rest, as after much turmoil
A blessed soul doth in Elysium.
But in what habit will you go along?
Not like a woman; for I would prevent
The loose encounters of lascivious men:
Gentle Lucetta, fit me with such weeds
As may beseem some well-reputed page.
Why, then, your ladyship must cut your hair.
No, girl, I'll knit it up in silken strings
With twenty odd-conceited true-love knots.
To be fantastic may become a youth
Of greater time than I shall show to be.
What fashion, madam shall I make your breeches?
That fits as well as 'Tell me, good my lord,
What compass will you wear your farthingale?'
Why even what fashion thou best likest, Lucetta.
You must needs have them with a codpiece, madam.
Out, out, Lucetta! that would be ill-favour'd.
A round hose, madam, now's not worth a pin,
Unless you have a codpiece to stick pins on.
Lucetta, as thou lovest me, let me have
What thou thinkest meet and is most mannerly.
But tell me, wench, how will the world repute me
For undertaking so unstaid a journey?
I fear me, it will make me scandalized.
If you think so, then stay at home and go not.
Nay, that I will not.
Then never dream on infamy, but go.
If Proteus like your journey when you come,
No matter who's displeased when you are gone:
I fear me, he will scarce be pleased withal.
That is the least, Lucetta, of my fear:
A thousand oaths, an ocean of his tears
And instances of infinite of love
Warrant me welcome to my Proteus.
All these are servants to deceitful men.
Base men, that use them to so base effect!
But truer stars did govern Proteus' birth
His words are bonds, his oaths are oracles,
His love sincere, his thoughts immaculate,
His tears pure messengers sent from his heart,
His heart as far from fraud as heaven from earth.
Pray heaven he prove so, when you come to him!
Now, as thou lovest me, do him not that wrong
To bear a hard opinion of his truth:
Only deserve my love by loving him;
And presently go with me to my chamber,
To take a note of what I stand in need of,
To furnish me upon my longing journey.
All that is mine I leave at thy dispose,
My goods, my lands, my reputation;
Only, in lieu thereof, dispatch me hence.
Come, answer not, but to it presently!
I am impatient of my tarriance.
Script of Act II Two Gentlemen of Verona by William Shakespeare Personae